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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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DYCK, Sir Anthony Van
Flemish Baroque Era Painter, 1599-1641
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;
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DYCK, Sir Anthony Van
Portrait of Pieter Bruegel the Younger dfg
Pen drawing
Teylers Museum, Haarlem
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DYCK, Sir Anthony Van
Portrait of a Member of the Balbi Family
c. 1625
Oil on canvas, 132,7 x 120 cm
Cincinnati Art Museum, Cincinnati
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DYCK, Sir Anthony Van
Charles I: King of England at the Hunt drh
1635
Oil on canvas
Mus??e du Louvre, Paris
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DYCK, Sir Anthony Van
Charles I on Horseback fg
c. 1635
Oil on canvas, 365 x 289 cm
National Gallery, London
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DYCK, Sir Anthony Van
Portrait of a Young General dfgj
1622-27
Oil on canvas, 115,5 x 104 cm
Kunsthistorisches Museum, Vienna
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DYCK, Sir Anthony Van
Marchesa Elena Grimaldi fg
c. 1623
Oil on canvas
National Gallery of Art, Washington
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DYCK, Sir Anthony Van
Portrait of a Gentleman sdf
1624
Oil on canvas
Alte Pinakothek, Munich
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DYCK, Sir Anthony Van
Self Portrait (detail) 12f
c. 1621
Oil on canvas
Alte Pinakothek, Munich
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DYCK, Sir Anthony Van
Self-Portrait dfgjmnh
1625-30
Oil on canvas, 116,5 x 93,5 cm
The Hermitage, St. Petersburg
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DYCK, Sir Anthony Van
Isabella Brandt dfhjj
c. 1621
Oil on canvas
National Gallery of Art, Washington
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DYCK, Sir Anthony Van
Portrait of Philadelphia and Elisabeth Cary fg
1635-38
Oil on canvas, 162 x 130 cm
The Hermitage, St. Petersburg
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DYCK, Sir Anthony Van
Charles I of England and Henrietta of France dfg
Oil on canvas
Galleria Palatina (Palazzo Pitti), Florence
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DYCK, Sir Anthony Van
Portrait of a Married Couple dfh
Oil on canvas, 112 x 131 cm
Museum of Fine Arts, Budapest
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DYCK, Sir Anthony Van
The Wife and Daughter of Colyn de Nole fg
Oil on wood, 123 x 90,5 cm
Alte Pinakothek, Munich
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DYCK, Sir Anthony Van
Sir Endymion Porter and the Artist dfh
1632-41
Oil on canvas, 110 x 114 cm
Museo del Prado, Madrid
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DYCK, Sir Anthony Van
Porrtrait of the Sculptor Duquesnoy fgh
1627-29
Oil on canvas, 77,5 x 61 cm
Mus??es Royaux des Beaux-Arts, Brussels
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DYCK, Sir Anthony Van
Portrait of Father Jean-Charles della Faille, S.J. dfh
1629
Oil on canvas, 130,8 x 118,5 cm
Mus??es Royaux des Beaux-Arts, Brussels
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DYCK, Sir Anthony Van
Family Portrait hhte
1618-20
Oil on canvas, 113,5 x 93,5 cm
The Hermitage, St. Petersburg
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DYCK, Sir Anthony Van
Thomas Killigrew and William, Lord Croft fgjh
1638
Oil on canvas, 132,7 x 143,5 cm
Royal Collection, Windsor
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DYCK, Sir Anthony Van
Portrait of the Artist Marten Pepijn dfg
Oil on panel, 72 x 56 cm
Koninklijk Museum voor Schone Kunsten, Antwerp
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| DYCK, Sir Anthony Van
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Flemish Baroque Era Painter, 1599-1641
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;
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